“He told me that the only thing I had going for me was my sex appeal and that there was none of that in this movie,” she wrote, detailing how Weinstein’s requests for massages and oral sex would curdle into blind rage upon Hayek Pinault’s repeated refusals. As a producer on the film, Hayek Pinault played a crucial role in its development, contacting Kahlo’s family directly, securing rights to the paintings, and even bringing on the Oscar-spinning Harvey Weinstein on board to co-produce.įifteen years after Frida’s release, an essay Hayek Pinault wrote in the New York Times revealed how Weinstein had emotionally tormented and sexually harassed her during the making of the film. But her critical breakthrough came in 2002 with her portrayal of Frida Kahlo in Frida. A misunderstood Mexican artist whose feminine and intimate works were often looked down on and whose history has since been flattened into Instagram iconography, Kahlo had fascinated Hayek Pinault since she was a teenager. She has played exotic vixens with names such as Rita Escobar, Bella Flores, and the quite literally feline Kitty Softpaws.Īfter From Dusk Till Dawn, Hayek Pinault started landing a succession of Hollywood roles in films like Dogma, Wild Wild West and Traffic. Prince’s 2009 track “Valentina”, written about Hayek Pinault and named for her daughter, describes her as “curvier than a Fender Stratocaster guitar”. She has appeared on ‘sexiest’ and ‘most beautiful’ lists countless times. After From Dusk Till Dawn she was sent stripper roles again and again, and perhaps since that moment has been inextricable from that evocative image. But once the snake was out, it wasn’t easily banished. Pandemonium required Hayek Pinault to harness her inner sexuality, a complicated kind of power. “It was a really small part but to my surprise people really remember that moment.” “I was feeling insecure just wanted to get through it,” she says. Instead, she says, she was pointed in the direction of a strip club to conduct her own research. Hayek Pinault asked director Robert Rodriguez if there was any choreography, but he didn’t want it to feel staged. “They just kind of threw me on the stage with the snake, put the music on and said, ‘Hey, dance!’” she recalls. Surrounded by professional strippers, she had no idea what she was doing. The truth is that Hayek Pinault has a deep phobia of snakes and had to enter a trance-like state to do that hypnotic performance.
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